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44-47 Gardner Street, Brighton. BN1 1UN

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Parsnip + Support

LOVE THY NEIGHBOUR PRESENT: Parsnip + Support

 

Green shoots have burst forth from Parsnip, let’s warmly welcome the Australian group’s sophomore album ‘Behold’. Recorded across three sessions over the last three years, ‘Behold’ is a testament to Parsnip at their most creative, catchy and collaborative. This album showcases the multi-talents of all four members, with spirited performances adding dazzle to the thirteen tracks. Paris Richens lets the bass playfully roam. Carolyn Hawkins tumbles feeling into the drum rumble. Stella Rennex’s guitar soars alongside her saxophone work, whilst a sprightly keyboard is tenderly attended by Rebecca Liston. Everyone sings amidst this lush canopy.

 

Patience, environmental cues and internal signals are integral for a garden to flourish. The same can be said of the conditions necessary for ‘Behold’ to emerge. It is an album gleeful in reassessment, changed priorities and anticipation. The roots are deeply anchored to mystery, drinking up a hidden wonderment that lies within. ‘Monument’ is a twist of melody and mania, “For what am I? But a channel of light” they attest amongst the whoops and hollers. ‘The Babble’ sounds like Ray Davies playing Wordle for enlightenment. In fact most of these songs are pointing the way towards growth and understanding. ‘Turn to Love’ is mesmeric and timeless, thoroughly serene and perfectly judged. Parsnip write songs as a form of communion with the intangible in our increasingly delusory world, but there is always a gentle reminder; don’t take anything too seriously! “My head is gonna split in two, fix it with flour and glue” they demand on ultimate bop ‘Papier-Mâché’, this juxtaposition of mature resolve with childlike astonishment packs a more powerful punch.

 

On ‘Behold’, Parsnip explore both the inner and outer realms of consciousness with quick wits and some seriously quality jangle and jolt. ‘The Light’ is a whip smart workout, sprouting naturally from the propulsive nature of their debut album ‘When the Tree Bears Fruit’ (2019). ‘Placeholder’ is also devastatingly honest and channels The Field Mice as it buries itself like an arrow into your heart. The production is ambitious, with 12-string and acoustic guitars, percussion, piano, saxophone and harmonium all sitting comfortably in these outstanding songs. Drawing comparisons with Dolly Mixture, Sara Goes Pop and Look Blue Go Purple, Parsnip are an animated ensemble, full of life, emotional complexity and humour. The laughter in the dark is real, but then the sun comes up and we all must meet the day. Even the flowers turn their faces. Behold!

 

Upset The Rhythm and Anti Fade Records proudly present Parsnip’s first album in five years, ‘Behold’. Available in all good record stores April 26th.


THIS EVENT WILL TAKE PLACE IN THE KOMEDIA STUDIO

STANDING SHOW

AGES 14+ (UNDER 16s MUST BE ACCOMPANIED BY AN ADULT)

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What people are saying...

It was honestly the best concert experience I’ve had in a long time! Since being chronically ill, I’ve never felt completely welcome at venues. […] Komedia made me feel completely comfortable and confident in myself during the whole show! […] Although I traveled from London, I will most definitely be returning when I can, choosing it over London venues!

Lovely, intimate venue. Great sound system. Perfect for small concerts.

What a superb venue. I have been several times. Always a warm welcome and a safe space to enjoy the artists that are more “left field” than other more mainstream venues.

Cracking little venue, intimate, great acoustics, friendly staff, middle of town, nice beer selection, fair prices.What more could you want?

Great place to see bands. Not too big . Not too small. Excellent views plus TV screens in all areas. Disabled parking in the street behind. Good eateries locally after gig.

Komedia continues to have club nights that suit all ages. It is a brighton institution that should be revered.

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